Showing posts with label anna maxwell martin. Show all posts
Showing posts with label anna maxwell martin. Show all posts

South Riding (2011)

Anna Maxwell Martin
David Morrissey
Anna Maxwell Martin and David Morrissey lead the cast in Andrew Davies' new three-part adaptation of South Riding, based on novel by Winifred Holtby, for BBC One. To be directed by Diarmuid Lawrence

BBC ONE (February 20, 2011)

PBS Masterpiece: May 1, 8, 15, 2011

Writer Andrew Davies says: "What appealed to me most about South Riding is how fresh and relevant it feels, even though it was written and set in the Thirties. It's a terrific love story but it's also a portrait of a whole community in turmoil, with the country in recession, and bitter struggles between the advocates of change, like our heroine Sarah the new forward-thinking headmistress, and the forces of conservatism embodied in Robert Carne.
"It's also full of rich comedy, with some wonderful minor characters, splendidly cast. I feel as if we've rediscovered a forgotten masterpiece."


MY REVIEW: If you're craving a new period drama to watch, it might be to your satisfaction but it's not what I would describe as "not-to-be-missed" by any means. I liked the first episode but it lost steam from there. Not enough time in three episodes to develop the plot sufficiently from such a lengthy novel. I've not read the book myself but have heard from many who have that the adaptation failed to capture the nuances adequately. So I've provided information for the series below but I'm unable to give it my recommendation.


Links:
Trailer
Interviews with Anna Maxwell Martin and David Morrissey
Review of pre-screening of series
Read more about author Winifred Holtby
Telegraph: South Riding: romance and social change in the BBC's new costume drama
Kate Harwood /BBC: South Riding and one of the greatest literary heroines
BBC One: Official site
L.A. Times Review
NY Times Review
IMDb

Ben Stephenson, BBC Controller, says: "Following on from Small Island and A Passionate Woman we continue to reappraise the BBC's approach to period drama – there are no cosy clichés here – this little-known novel paints a raw and real portrait of a rural community bustling with humanity and humour."

In the long aftermath of the First World War, Sarah Burton (Anna Maxwell Martin), comes home from London to Yorkshire. Having lost her chance of marriage and motherhood with her fiancé's death in the trenches, Sarah has become a very modern career woman, one of the "surplus two million" identified by the Daily Mail in 1920 as women who were unlikely to marry since their generation of men had been wiped out by war.

Now in her thirties, Sarah has come home to take up the position of headmistress at a struggling Yorkshire high school for girls. She is the very image of a modern woman, much more recognisable to her sisters in 2010 than she would have been to her contemporaries in 1935, full of ambition, passion and fire to take her life into her own hands and live it to the very limit of her strength.

But love has not finished with Sarah Burton – before the end of the story she must choose between the career she has fought for and the man least likely to have won her heart.

As Britain emerges from the Great Depression, Robert Carne (David Morrissey) finds he is an unlikely victim of a financial disaster. His family has farmed the South Riding for hundreds of years and he ought to be able to ride out the agricultural depression, cushioned by generations of family wealth. But Carne is a man haunted by love, and he has spent most of the farm's income over the past 20 years trying to wipe out the guilt he still feels for the woman he believes he destroyed. Past and present collide when Sarah Burton returns to the South Riding and clashes with the handsome haunted gentleman farmer. Their story is only one strand of a rich skein which tells the story of a small town community instantly recognisable to any age and in any part of the country.

Full of humour, pathos and tragedy, South Riding also tells the story of Lydia Holly (Charlie Clark), a 14-year-old girl with a difficult home life whose education is in jeopardy when her mother dies and she slips through society's safety net.

Shaun Dooley is Lydia's feckless father, Mr Holly; Miss Sigglesthwaite (Brid Brennan) is the incompetent science mistress of the high school who struggles to instil order over her pupils; Midge Carne (Katherine McGolpin), is the delicate and troubled daughter of Robert and his ill-starred first wife; Councillor Huggins (John Henshaw), by turns noble and ludicrous, is a methodist preacher much troubled by lustful thoughts who becomes embroiled in a game of political corruption way beyond his understanding.

This 20th-century classic is a rich and panoramic portrait of a Yorkshire community in the Thirties that carries surprising and refreshing echoes of our own time.
Penelope Wilton
Alderman Mrs Beddows (Penelope Wilton), is the county's first woman Alderman whose sensible and competent demeanour belies a girlish heart that has inconveniently fallen in love with an unsuitable man; and Joe Astell (Douglas Henshall), is the Riding's only socialist councillor and rival to Carne for Sarah's affections.

South Riding is a rich, compassionate and humane story of politics in small places and, in the end, the indestructibility of the human spirit.

Made by BBC Drama Production North for BBC One, South Riding is currently filming in Leeds for transmission later this year. Written by Andrew Davies (Bleak House, Sense And Sensibility, Little Dorrit).

The producer is Lisa Osborne (Little Dorrit), the director is Diarmuid Lawrence (De
sperate Romantics, Little Dorrit, Emma) and the executive producers are Anne Pivcevic (Sense And Sensibility, Little Dorrit) and Hilary Martin.

A radio dramatization was previously done
with Sarah Lancashire and Philip Glenister

Kate Harwood, BBC Controller, Drama Series and Serials, says: "Published posthumously, South Riding is a rich and brilliant novel full of optimistic hope for the future and we are proud to be bringing Andrew Davies' wonderful adaptation to the screen with such a brilliant cast and team.

"Like all great period drama it shines a light on us and our society while introducing us to a world and characters that I believe the audience can take to their hearts."

This year marks 75 years since Winifred Holtby's death – Holtby died aged 38, in 1935.


Source: BBC Press Office



Brid Brennan

Shaun Dooley

Douglas Henshall

John Henshaw

Charlie Clark and Katherine McGolphin

North and South

North and South is a British television drama serial, produced by the BBC and originally broadcast in 2004. It follows the story of Margaret Hale (Daniela Denby-Ashe), a young woman from southern England who has to move to the North after her father decides to leave the clergy. The family struggles to adjust itself to the industrial town's customs, especially after meeting the Thorntons, a proud family of cotton mill owners who seem to despise their social inferiors. The story explores the issues of class and gender, as Margaret's sympathy for the town mill workers conflicts with her growing attraction to John Thornton (Richard Armitage).

The serial is based on the 1855 Victorian novel of the same title by Elizabeth Gaskell.


As the BBC had low expectations for the series, it was not well publicised and went almost unnoticed by critics. Audiences, however, were more receptive; hours after the first episode aired in November 2004, the message board of the programme’s website crashed because of the number of visitors the site was receiving, forcing host bbc.co.uk to shut it down. This sudden interest on the serial was attributed to Richard Armitage, a relatively unknown actor, whose portrayal of the emotionally restrained John Thornton drew parallels with Colin Firth's portrayal of Fitzwilliam Darcy on the BBC's 1995 mini-series Pride and Prejudice, and the reception he later received.

North and South was voted "Best Drama" in the BBC drama website's annual poll in 2004. Richard Armitage was voted "Most Desirable Drama Star" and "Best Actor", Daniela Denby-Ashe was voted "Best Actress" (Sinead Cusack came in third) and three different scenes were voted as the year's "Favourite Moments", with the final scene winning the number one spot.

>>Watch trailer














Margaret Hale (Daniela Denby-Ashe) and
John Thornton (Richard Armitage)


The North

The South


~~Other Characters~~

Richard Hale (Tim Pigott-Smith)

Maria Hale (Lesley Manville)

Dixon (Pauline Quirke)

Hannah Thornton (Sinéad Cusack)

Fannie (Jo Joyner)

Bessy Higgins (Anna Maxwell Martin)

Nicholas Higgins (Brendan Coyle)


Frederick Hale (Rupert Evans)

Henry Lennox (John Light)





Bleak House

Bleak House is one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character--from the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)--is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package. --Bret Fetzer from Amazon.com






















Top-notch production, highly recommended!

BBC link

PBS Masterpiece link

Screencaps found on Livejournal thanks to nancherrow


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